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Tuesday, January 29, 2013

On The Sources Of Islamic Law And Practices

On The Sources Of Islamic Law And Practices Review


Is Islamic law organically linked to its primary sources, namely the Qur'an and the Sunnah, or is it manufactured by the ruling elite centuries after the time of the Prophet Muhammad? This is one of the central questions that a number of scholars of Islamic studies have been discussing since the end of the 19th century. This brief work is an attempt to contribute to this discussion by emphasizing the role and functions of orality in formulating, preserving, and transmitting Islamic law and practices during its formative period. Read more...


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Wednesday, December 26, 2012

Global Islamic Politics (2nd Edition)

Global Islamic Politics (2nd Edition) Review


The primary intention of this book is to explore, analyze, and explain global Islamic politics. In doing so, this text discusses the root causes, characteristics, consequences, and implications of global Islamic politics.

 

Written in a simple and clear style and providing in-depth definitions of key terms, Global Islamic Politics aims to make this important and complex subject accessible to all readers. In addition, the book offers suggestions for ameliorating the relations between the Muslim world and the West in a way that promotes mutual understanding and peace, rather than misunderstanding and conflict.

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Thursday, December 20, 2012

Islamic Art and the Museum: Approaches to Art and Archaeology of the Muslim World in the Twenty-First Century

Islamic Art and the Museum: Approaches to Art and Archaeology of the Muslim World in the Twenty-First Century Review


Islamic Art and the Museum provides a historical and conceptual analysis of Islamic art and documents the successes and failings of its presentation in museums worldwide. The contributors challenge existing notions on the research, methodology, and analysis of Islamic art and investigate the extent to which socio-historical and anthropological approaches result in new analytical perspectives. They also examine the difficulties that need to be overcome when presenting Islamic art to avoid reducing the objects merely to the visual and aesthetic.

Museums covered in detail include Brooklyn Museum's Arts of the Islamic World Galleries and the Aga Khan Museum in Toronto, Ontario.

Edited by BenoƮt Junod, Georges Khalil, Stefan Weber, and Gerhard Wolf.


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Saturday, December 8, 2012

Islamic Patterns: An Analytical and Cosmological Approach

Islamic Patterns: An Analytical and Cosmological Approach Review


• The classic study of the cosmological principles found in the patterns of Islamic art and how they relate to sacred geometry and the perennial philosophy.


• 150 color and black-and-white drawings of Islamic patterns.


• Explains how these patterns guide the mind from the mundane world of appearances to its underlying reality.


For centuries the nature and meaning of Islamic art has been wrongly regarded in the West as mere decoration. In truth, because the portrayal of human and animal forms has always been discouraged on Islamic religious principles that forbid idolatry, the abstract art of Islam represents the sophisticated development of a nonnaturalistic tradition. Through this tradition, Islamic art has maintained its chief aim: the affirmation of unity as expressed in diversity.

In this fascinating study the author explores the idea that unlike medieval Christian art, in which the polarization of such forms and patterns was relegated to a background against which to set sacred images, the geometrical patterns of Islamic art can reveal the intrinsic cosmological laws affecting all creation. Their primary function is to guide the mind from the mundane world of appearances toward its underlying reality.

Numerous drawings connect the art of Islam to the Pythagorean science of mathematics, and through these images we can see how an Earth-centered view of the cosmos provides renewed significance to those number patterns produced by the orbits of the planets. The author shows the essential philosophical and practical basis of every art creation--whether a tile, carpet, or wall--and how this use of mathematical tessellations affirms the essential unity of all things. An invaluable study for all those interested in sacred art, Islamic Patterns is also a rich source of inspiration for artists and designers.

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Saturday, November 24, 2012

Islamic Empires (History in Art)

Islamic Empires (History in Art) Review


Islamic cultures have created some of the greatest art the world has ever seen. Learn about why and how this art was made in this fascinating title. Read more...


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Sunday, November 18, 2012

Women and Islamic Revival in a West African Town

Women and Islamic Revival in a West African Town Review


In the small town of Dogondoutchi, Niger, Malam Awal, a charismatic Sufi preacher, was recruited by local Muslim leaders to denounce the practices of reformist Muslims. Malam Awal's message has been viewed as a mixed blessing by Muslim women who have seen new definitions of Islam and Muslim practice impact their place and role in society. This study follows the career of Malam Awal and documents the engagement of women in the religious debates that are refashioning their everyday lives. Adeline Masquelier reveals how these women have had to define Islam on their own terms, especially as a practice that governs education, participation in prayer, domestic activities, wedding customs, and who wears the veil and how. Masquelier's richly detailed narrative presents new understandings of what it means to be a Muslim woman in Africa today.

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Saturday, October 27, 2012

Medieval Islamic Philosophical Writings (Cambridge Texts in the History of Philosophy)

Medieval Islamic Philosophical Writings (Cambridge Texts in the History of Philosophy) Review


Although strongly influenced by Greek thought, Islamic philosophers also developed an original philosophical culture of their own which flourished from the ninth through the fourteenth century. This volume offers new translations of philosophical writings by Farabi, Ibn Sina (Avicenna), Ghazali, Ibn Tufayl, and Ibn Rushd (Averroes). A historical and philosophical introduction sets the writings in context and traces their preoccupations and their achievements. Read more...


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